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The Adopted Son
Aktan Abdikalikov, Kyrgyzstan, 1998; 81m
"Abdikalikov's sparing use of color - clearly a matter of aesthetic rather than financial reasons - our perception of color as well as of black-and-white in movies: every shift between these registers is experienced as an epiphany, a bursting re-creation of the world. When Abdikalikov was asked what motivated this eccentric construction, he replied that it was inspired by the way rugs in Kyrgyzstan are woven and patched together. A lateral camera movement over one of these gorgeous rugs in color is the film's first image, and everything that follows conforms to this beautifully abstract pattern, much the way a musical theme would be developed." Jonathan Rosenbaum.
Back to: Films from Along the Silk Roads
- Angel On The Right
- Anti-Romantika
- Assan-Ussen
- Boys In The Sky
- Brother
- Don't Cry
- Face
- July
- Kairat
- Killer
- Last Holiday
- Little Angel, Bring Me Joy
- Lullaby
- Man Follows Birds
- My Brother Silk Road
- Orator
- Revenge
- Stairway In The House With An Elevator
- Takhir And Zukhra
- Tenderness
- The Adopted Son
- The Apple
- The Daughter-In-Law
- The Dog Was Walking By
- The Fall Of Otrar
- The Fierce One
- The Flight Of The Bee
- The Fly-Up
- The Guard
- The Last Stop
- The Mystery Of Ferns
- The Swing
- The Thread
- The Time Of Yellow Grass
- There Are Horses
- Umay
- Without Fear
